long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.

u.f.x. is formed by a group of creative guys from neaples, that gives us this magnific soulful track. classic, but with a powerful rhythm. live bassline and guitars very skilfully made. the great voice of rose marriot perfectly accompany all the melodies of this huge track!

songs from the source is a lost and found 1973 recording of the source family. these twelve songs were recorded live in the hollywood hills as a rehearsal for a concert date that spirit of 76 - aka yahowah 13, the savage sons of yahowa, yodship, and firewaterair, now known as children of the sixth root race - had at the whisky. a 1/4 tape copy of the recording was found in chicago in 2006, though no one is really sure how it got there. djin aquarian, rhythm guitarist and songwriter for spirit of 76, recalls being sent on a mission to chicago later in 1973, where he believes he left the tape with an old friend. djin wrote most of the songs in the year before he joined with the source, as part of his solo mystical quest to help enlighten the world before it might annihilate itself, adding, im glad both the album and the world are still here.though this rehearsal wasnt meant to be released at the time, there are probably no other recordings as complete of the band doing these songs. the spirit of 76 had a different sound than the one yahowah 13 made with yahowa. songs from the source has more r n b grooved energy, with splashes of synth and organ, a female vocal chorus and streamlined fusion rhythms backing the uniquely yahowan lyrical populism of songs like godmen and lost dead but hoping. songs from the source is a miraculous missing piece of the sources positive musical movement. the members of yahowah 13 (djin, sunflower on bass, octavius on drums) were joined by family members ahom, aquariana, cinderella, rhythm, vibration, and zoroaster on lead guitar, to create the ecstatic sound of spirit of 76.

label boss, spiros kaloumenos does it again! analog mode 01 was charted and hammered by main techno players and more of the same is expected for this one also. two solid techno originals by spiros that prove exactly why his reputation is growing more and more over the last years. moderate and turbulence were tested continuously on spiros dj sets over the last months and proved that will rock the dancefloors big way with their massive breakdowns and rhythm!! on the flipside two remixes make this record a must have!! this time on remix duties are two names that need no introduction! paul mac from u.k, label boss of stimulus rec. and contributor to some of the biggest ever techno imprints like: primate, theory, ingoma, intec, sino, kanzleramt, delivers the goods for one more time turning original track into a pure, straight, peak time mover!

an uplifting record thats equally as strong in its rhythm and drive as it is in its message, melody and harmonies.

cult new york label nu groove 1992

striclty rhythm icons todd terry, kenny dope and dj sneak are back on the block. completing the all star line up are terry hunter, a chicago producer and dj of no mean repute, and tara mcdonald, the voice of armand van heldens my my my and axwells feel the vibe. in a time of crunching electronic grooves and ever more bleepy electro, get down feels like the first sunrays of spring, an old school vocal with the pedigree of the finest uplifting, uptempo dance music. pete tong has already given it two spins on his radio show and others are clambering to get a piece of the action

big with: onur Özer, gregor tresher, davide squillace, d julz, josh wink, laurent garnier, john selway, bart skills, santi xpansul,.. step into the alley, into the groove. into the urban breeze and family hospitality of easy street! without using too many sounds or rhythms in the main track >ad hoc<, van rivers creates a warm, full sound spectrum, with a variety of angles. as daytime turns into nighttime this urban story continues. >slow sails is basically a tool that keeps on building from start to end, with focus on a wave-sounding reverb<, van rivers explains. and as twilight enters, >dusty leaves< turns this street scene upside down with its walking rhythm and spooky sounds. we are the spectators of an act in the vein of michael jacksons >thriller< epic. this release with van rivers really shows the variety of his sound from beginning to end! a powerful record for the floor that plays as well at home too

mark verbos (reload/planet rhythm/wavescape/djax-up/kne deep) with his debut on carnage actually on tour with dj rush, supported by carl cox, sven vaeth and dave clarke

thank you have played with the likes of beach house, dan deacon, daniel higgs, celebration, wzt hearts and ponytail. thank you is an athletic rhythm/action unit, made up of jeffrey mcgrath, michael bouyoucas and elke wardlaw. michael was a member of the baltimore band more dogs who released an album on monitor records. the members of thank you are longtime friends and musical collaborators, working hard to bring to life their wholly original compositions. musical ideas are introduced and have conversations with one another, each track filled with new articulation and insight. the basics of drums, organ, and guitar build the foundation, but are augmented by whistles, cowbell, hobo harmonica, snappy loops, car horns, and whatever else might be at hand. the album terrible two was engineered by j. robbins (yeasayer, mary timony, jets to brazil) in baltimore and was produced and mixed by chris coady (tv on the radio, yeah yeah yeahs, celebration) in new york city.

with his second release on baobab music, producer mr raoul k heads into new territories. like he did on his first release >le cercle peul<, he combines traditional african instruments and the african approach to rhythm with european production techniques and soundscapes. this time he examines the depths of sound of dubtechno. this effort results in an epic musical journey, an almost soundtrackesque piece of music that accompanies the travelling mind as easily as the dancing body. mr raoul k manages to stay focused troughout this long trip through the land of haunting grooves and irie sounds with ease. driving, yet calm at the very same moment. and full of surprises, too. the flipside delivers – besides a condensed edit of >himalaya< - a grooving piece of afrofunk-goes-house, perfectly fitting in the sunnier time of the year. fellow ivorian doungous delivers the infectious vocals to round up this track

one version is tied to the main theme of africa with that outstanding tribal groove able to shake your soul and the other one he gives it a try to imagin the actual sound of africa and europe united ...the result coming out is a mix with a very explosive potential!!!

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

one ep to make the south americans shake their booties... >rabouine house< lays heavy on the percussion, the bass, a hispanic guitar interlude and supports italian/turkish chanting vocals throughout. pure rhythm and groove. mikael stavostrand’s mix takes it slower and darker, working dubbed out percussion, >in and out< vocal clips and a slightly horizontal effect

support from 2000andone, polder, sebo k, karotte, johnny d, peace division, solomun, lauhaus, boris werner, bart skills, nick curly, gorge aka reclick… dc10 revival 2008 on 8bit!! nick curly and gorge from 8bit records, present the first re-release on the label. the record comes from the italian producer joe montana. joe is a musician from trieste (italy) and still had releases on labels like strictly rhythm or zenith ibiza. this 3 track ep spaced out deep, tribal house with a hint of clicks and great vocals... welcome summer 2008!.

french maestro dj gregory, the man who brought us seminal track such as elle, attend and dont know malendro is back again with another bullet on defected. breeze, taken from his recent album defected presents faya combo session, is a late night tale with gregorys trademark sound. the package also includes a remixes from new york bad boy marlon d (who had the killer underground collective ep on strictly rhythm), george mena & gregor salto. another defected cut not to be missed.

normans >native rhythm electric< auf der a-seite kommt mit fein moduliertem oldschool-geklöppel der soviel dreck unterm fingernagel hat wie kaum eine andere platte zur zeit. >vangel< auf der b-seite ist 100% techno, ein sturm & drang track, der mit seinen charakteristischen glocken die rave-apokalypse einläutet

son palenque presenting the legendary afro colombian band from san basilio de palenque, a village established in 1706 by runaway slaves near cartagena, and the caribbean coast of colombia.another version of the folk song awa na re (from tony allens lagos no shaking album), samba is a homage to nigerian musical heroes, in particular the great drummer himself. sizzling horns arranged by the all time maestro ramon benitez. el lobo tells the story of a wolf lost in the palenque bush, aguata a tambora rhythm - is about rain.

two legends in music like john acquaviva and ramon zenker, routiniers in their work and skills as producers, they manage to tame agressive basslines and get the heart of the track from start to the end. rhythm is the main element and the grooving bassline stays ahead of any other element focused on one intention only: tearing apart floors worldwide

support from todd terje, lindstrom, ewan pearson, james murphy, mylo, nightmoves, toby tobias!! debut release from dundee’s sam annand, full of deep and dubby electronic beats, live drums and twisted jazz chords. the >birds of prey< ep is the first instalment in what is set to become an album project in the second half of 2008. from the dubbed out title track >birds of prey<, muted soundscapes of >sleeping bear lament<, crunchy off-beat drums on >into the cosmos< and ending with the driving little electro rhythm >packard<, the percussive energy in this music knocks you sideways and leaves you baited for the next rhythmic twist. a few demos of this ep have been circulating, and have caused quite a stir already. architeq’s live set is already a huge, talked about and memorable experience. sam moved to london a year ago so expect his

traxtorm is back as usual with a hardcore bomb...4 pure energy tracks!!

zombie-zombie is a crazy scientist and musical project based in paris, lead by two people, professor etienne jaumet and cosmicnemanusing sound and rhythm to explore the feeling of fear growing deep inside of you

incl great remixes by sascha funke and dj koze !! danse avec moi is the first single to be taken from noze s new album, songs on the rocks, the french duo s most surreal and scintillating vision of dance music yet, to be released on get physical music on april 25th. the 12 is equipped with remixes from sascha funke and the inimitable dj koze.>danse avec moi< is a proper love song. it is also noze s first ever song in french, and so with typical perversity, they thought it might be amusing to call upon an american to do the singing - the wonderful dani siciliano, best known for her albums for! k7 and litany of collaborations with matthew herbert. dani duets elegantly with david lafore (who also penned the song s lyrics) over a propulsive, swinging 4x4 drum tattoo, bouncy bassline, rippling harp and lavish string arrangements. as is so often the case with noze, the piano is at the forefront of the arrangement, providing not just straightforward melody and harmony but eminently danceable rhythm. it is an anthem in the making. you should know better than to expect a straightforward remix from kompakt s resident mad scientist, dj koze.

this is soul jazz records new journey into the heart of new orleans and a guide to the citys finest funk music produced in the late 1960s and early 1970s. featuring everyone from the meters to eddie bo, lee dorsey to betty harris, this is a whos who of the crescent citys most famous and most funky! the city of new orleans has deep musical roots that stretch back to africa. new orleans first gave birth to jazz music, a black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. similarly in the late 1960s new orleans funk came to define a unique sound, mixing caribbean rhythms, new orleans second line syncopation and rhythm and blues, all played by the big easys finest musicians.

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

hardcore classics incl lenny dee, lenny dee & the dark raver, crowd control and remixes by buzz fuzz, attic & acesone remix

catchy big room vocal track based on a a funky guitar rhythm backed with some nice drums and percussions. remixes by chriss ortega & thomas gold, mla, fish & chips and rudenko

dsecret svc. coco machete comes out guns blazing with the new single >tight jeans< from dsecret svc, a modernist hip house beatdown. the remix package is more than complete for any heavy handed dj and dancefloor. first up is a remix from fukkk offf who brought you >im a freak< at the end of last year. this time he delivers two dangerous mixes, one full vocal and one deep electro-dub. hit the flip for two ghetto heavy remixes (vox & inst) from baltimores own dj booman of the 410 pharaohs who have a full length b-more club album coming out this year on ill friction/strictly rhythm. the original mix, also on the flip is the perfect marriage of hip hop and house...check the vibe.

supported by garnier & xpansul !! for the seventh release on thump elektroniks, comes >three of us< by russ gabriel, a new brand ep in which the basslines, pads and chords are the catalysts in an explosive mixture of rhythm and sound

omerta is the brand new techno imprint from the united states based gunjack and matt k. known from various releases on labels like audio assault, submissions, planet rhythm and many more, they decided it is time for their platform. this first release is an absolute techno bomb. steady beats, solid kicks and sometimes in a off-beat vibe.

suss d records – the home of 2 legendary disco labels: salsoul & p&p, coined the phrase deep disco to draw together the very cool but much underrated world of rare & underground disco music, that for whatever reason remained largely unknown until now!

dj ogi (beast music, planet rhythm, patterns, compressed) picks it up again and shows why the labelowner likes his style so much! solid kicks and no-nonsense editing skills makes his tracks driving through and through and through!

limited to 500 copies!! collectors item! as a follow up on extrawelts current 12 inch release on kompass musik >disttheme<, this smart 10 inch comes to you as a strictly limited edition. no more than 500 copies will be available of this collector’s item. the a-side holds a new mix of disttheme being less melodic and more concentrating on rhythm and beautiful rawness. the title of the mix gives the deeper sense away - distthemenomelo. on the flip side we have another mix, simply called yeahbutyeah. a perfect addition to the two mixes on the previous 12 inch - check it out!

for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

twice high quality dark atmospheric techno deepness. nebula is the more straight forward track, thick pounding rhythm and vibes make it ending up somewhere between mills & maurizio, raw straight techno. estuary gives some deeper dubby vibes. revived is the delsin sub-label ann aimee! once again outlet for the more experimental sides of delsins electronic music. after the superb fine release by james kumo, another fine debut ep. this ep is done by delta funktionen, who goes in real life by the name of niels luinenburg. 23 years old - living in the northern part of holland. hes inspired by maurizio, basic channel, convextion, carl craig, steve rachmad, jeff mills, robert hood and others. the superb artwork is done by another delta, namely delta inc

once again the cannibal society strikes back with a vengeance!! pure devastation is what we used to get from these maneating schranz masters and this is no exception. germany s cannibal hardtrax (darkforce, plug n play) teams up with the dutch mike drama (mental torments) to bring you absolute mayhem.. these guys don t fool around. full speed ahead, hard techno bussiness for the masses!!!

matteo spedicati & joseph capriati are among the new breed of italian techno producers, the funkiest shit from this part of the world. both work together for the first time, with a debut for cmykmusik that is a breath of fresh air, all dirty and groovy. >giallo canarino< starts where it ends, in the dancefloor, delivering techno that will hammer all your senses with the joy of the unexpected. changes, mutations, explosions... the 3 tracks are all about rhythm and bass, kicking asses all the way long. if you dont move it with these guys you better ask for help... this is the freshest, funkiest and wildest techno of the year.. no doubts.

glory opens with a dramatic intro of sampled, filtered horns ? dug from the crates old school style ? then, all of a sudden... the ambush! in comes a simple but rolling half step rhythm, soon charged with pounding subs. juakalis vocals flow over in perfect unison with the beats ? hes really on form here!

the third shot in the young life of the bucketround label is a perfect strike oriented to different types of dancefloor. above smoke (deep explorer music) brings a creative and chameleonic tune which mixes different elements with dare. it begins broken, continues deep and ends in a complete funky orgy with a quirky 80s taste. the collection of remixes is simply brilliant. oval future face (bucketround recs) takes the elements of the original to offer the deeper remix of the ep. nacho marco (loudeast records, odori...) however transforms the keys of the compose in a 4x4 acid bomb! finally to close we got the funk part of the ep with barna sound machine. he breaks the breaks and hot the floor with his sexy rhythm...

phil kieran is back again with >missp< on cocoon recordings and continues consistently where he stopped with his contribution to the compilation g: groovy, dark, technoid – a sound that, from time to time, reminds of some fog & strobo parties in the mid-nineties. an electroid bass line and a fascinating drum roll go straight ahead and its still the fine sounds in between that make the music and the rhythm. a track which is perfect for the prime time

incl great john selway dub-techno remix.. the second installment on forward think label hej records is a special collaboration between label owners punisher ( michelle herrmann ) and john overfiend ( matt caputo ). the title track thermal underwear begins with a hypnotic melody that envelopes you and the lush atmospheric synths float over, as if preparing you for the coming bass storm. the minimal yet driving, chunky shuffled beats hit hard and your body moves to the infectious rhythm.

an all time classic album from galaxy 2 galaxy, with tracks featuring the martian (red planet) and juan atkins

the track >uhlenbusch< shows the minimalistic, but playful side of the duo consisting of the dj ron schatte and producer christian haberer. clapping hands groove along with flabbily vocals. the bassline winds everything to the basics of electronic music put in a new robe. incl. a fabrikat remix by jay la forge (deep in rhythm/schieber) and a flatmate remix by asferico. the fabrikat remix has the power and straightness to be played primetime on the mainfloor of your favorite techno club. in the flatmate remix, asferico strips the original version down to its meer fragments to create a cool and gripping piece of minimal music. an awesome sound experience that makes the record a captivating label debut.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

thrilling rhythm and spanish atmosphere!!

fresh release on article records comes out from czech producer nipp, who delivers unmissible ep for the label, artist himself talks about the best of selection. titel track named adagio is playful, minimalistic composition, rich in mood and tone with surprising break with aching strings, moodywise track with subtle details and brilliants sound. track sad like windows is a focus of emotive keyboards and combination of break and 4x4 beats nestled on bed of minimal rhythm.among others tune has more deep housey vibe with pure energy.watch out for this promising talent!

excellent deep space media compilation!! an adventure into future dub, spacey vibes and abstract grooves..